![]() Each event will offer a different way to engage with the process of considering the mural. This process explores representation in public art and how community stories are told so that we can develop creative ideas for future events, public art, and policy updates. The Reframe: City Hall Mural project offers a series of civic memory conversations and activities to connect Santa Monicans' diverse histories and contemporary experiences. Meztli Projects’ facilitation team is Joel Garcia, Robin Garcia Ph.D., Susannah Laramee Kidd Ph.D., and Rosten Woo.Īs part of its Acknowledge and Reframe Together (Reframe) initiative, the City of Santa Monica has embarked on a public process to consider the meaning, impact and potential responses to the WPA-era mural by Stanton Macdonald-Wright in the lobby of historic City Hall. " Town Destroyer makes you stop and think - which is a brave and even dangerous thing to do in today's America.This activity is part of the Reframe: City Hall Mural project event series organized by Meztli Projects, an Indigenous-based arts & culture collaborative centering Indigeneity into the creative practice of Los Angeles by using arts-based strategies to support, advocate for, and organize to highlight Native and Indigenous Artists and systems-impacted peoples. The story of renowned photographer Tina Modotti, acclaimed for her innovative and impassioned depiction of social issues.Ĭelebrates the life and work of Nobel Peace Prize nominee Vamik Volkan, a psychiatrist who brings enemy groups together for dialogue in traumatized areas of the globe. In prosperous and progressive Boston, what keeps the gap between rich and poor, white and Black, so glaringly wide?Įxplores the social, political and religious impact of the multiracial movement. In Orangeburg, SC, a battle erupts between the Sons of Confederate Veterans and an ice cream shop owner forced to fly the Confederate flag in his parking lot.Įxamines the history of the US eugenics movement and its recent resurrection, which uses false scientific claims and holds that an all-powerful "gene" determines who is worthy and who is not. Special Jury Prize for Social Impact, Mendocino Film Festival These were art school students very attuned to social issues, but they had never learned much about Native American history, especially from a non-white supremacist standpoint." I actually had another topic planned for the third hour of class, but we skipped that entirely so we could continue the conversation sparked by the film. "The response was fantastic in my 1930s American cultural history class. Other films by Deborah Kaufman and Alan Snitow are Secrets of Silicon Valley, Thirst, Between Two Worlds, Drones in My Backyard, and Company Town. The film addresses current debates over trauma, student safety, and cancel culture: Do images trigger trauma in students? How should a changing society deal with controversial works of art? Do the intentions of the artist matter? Or just the impact on viewers? Is it censorship to destroy murals that show painful histories? What does our country owe people who have been historically wronged? Most controversial is a provocative image of a dead Indian-life-size, eye-level, and at the center of the school. The murals both praise Washington and-rare for the time-critically depict him overseeing his slaves and directing the bloody seizure of Native lands. The murals, at San Francisco's George Washington High School, were painted in 1936 by leftwing artist Victor Arnautoff, a student of Diego Rivera. The story focuses on a dispute over historic murals depicting the life of George Washington: slaveowner, general, land speculator, President, and a man Seneca leaders called "Town Destroyer" after he ordered their villages destroyed during the Revolutionary War. TOWN DESTROYER explores the ways we look at art and history at a time of racial reckoning. "A fascinating documentary about the debate between free speech and social justice." Quelle Movies Original Music: Carla Khilstedt, Matthias BossiĬinematography: Ulli Bonnekamp, Vicente Franco, Phil Geyelin, Ashley James, Marsha Kahm, Alan Snitow Your address won’t beĪ high profile battle erupts over images of African American slaves and Native Americans in New Deal-era murals at a San Francisco high school.Įxecutive Producer: Peggy Berryhill (Muscogee) Receive occasional notice of our new releasesĪnd special offers. With a credit card or purchase order, or youĬan use our printable order form for faxing or Our site enables you to order securely online Videos, with a collection of over 700 titles in Is a leading source of educational DVDs &
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